Collage shortcuts

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This collage in order to show some decisions I took during the elaboration. It started with a rather uninspiring picture of a woman with her baby and the red lips glued between both heads, joining them in an ape-like figure. But the collage isn’t there.

The scalp on the top blurs the profiles underneath and the new arm gives a better dynamic.

The other arm “holds” the composition. Much better. But still…
The colored fragment makes a good contrast with the black&white picture and a pyramidal shape. But the picture lacks expression. I have to change it radically or I’ll be stuck.

Now the picture looks much stronger, but I hesitate: Is the embrace strong enough? Not really. I like the movement from the brown trousers to the smile and hesitate sacrificing it to a stronger expression – a clasp. But I have to put more steroids into the picture, I cannot leave like this. Allez!

Finally! The initial idea – a hug - is present from the beginning to the final picture, starting with a kind of childish “joke” (the red lips) or iconoclast gesture one can often see on billboards and going through a process choices: “Do I stop now or not?” “How can I can go further but keep the best parts of the picture?” And the answer is always: “You must sacrifice the part you like in order to be free to progress”. It means to me that I mustn’t be afraid of making fundamental changes in the picture.

There are two dangers waiting for the collage maker – stopping too early or overdoing it. My problem has always been my tendency to quit my work when it wasn’t yet accomplished. In these late years of mine, I got a better discipline, reinforced by my teaching experience, where I “push” my students a lot.